Episode 14: The Globe Returns

In this special episode of the podcast, we celebrate the return of Shakespeare's Globe Theatre after 14 months of lockdown and cancelled performances. What's it like to act on that famous stage, and what have actors learned after nearly 25 years of innovative theatrical experimentation? With Mark Rylance, Paul Chahidi, Naomi Frederick, Laura Rogers, Dominic Rowan, Emma Pallant, Michael Benz, Jonathan Broadbent and Philip Bird.

For more information on the podcast and how you can help theatres and actors during the COVID crisis:

http://www.fleetingyearfilms.com/podcast.html#

or email Andrew@fleetingyearfilms.com

Episode 13: Whose Common Theme

In this episode of the podcast, we talk to people who have found meaning and a sense of shared experience in Hamlet’s famous soliloquy at the most difficult times of their lives; including dealing with bereavement, traumatic loss and mental health problems. We also talk to Maggie O Farrell, whose recent award-winning novel speculates that the uncanny power of the play may be rooted in the grief of Shakespeare himself, who wrote the play a few years after the death of his own son. With Lucy Clarke, Laura Clarke, Erica Cantley, Maggie O’Farrell, Christie Carson, Dominic Dromgoole and Emma Smith

Laura Clarke's website: https://thebookhabit.co.uk/

Teaching Hamlet As My Father Died, by Erica Cantley: https://www.amazon.co.uk/Teaching-HAMLET-My-Father-Died/dp/1945962313/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Hamnet, by Maggie O'Farrell: https://www.amazon.co.uk/Hamnet-WINNER-WOMENS-PRIZE-FICTION/dp/1472223829/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1618391427&sr=1-1

The speech readings are by Emma Fielding and Simon Paisley Day. For more information on the podcast and how you can help theatres and actors during the COVID crisis:

http://www.fleetingyearfilms.com/podcast.html#

or email Andrew@fleetingyearfilms.com

Episode 12: Pray, Love, Remember

In this episode, we talk to some of Britain's leading stage actresses - Dame Harriet Walter, Mariah Gale, Sian Brooke, Katie West, Kellie Shirley and Stephanie McGregor - about Ophelia, one of the most iconic roles of the classical stage. We see Ophelia defy corrupt authority and express her own truths, assert her existential freedoms, in the famous so-called madness scene. The beautiful readings of Ophelia are by Emma Pallant, and the TBNTB speech is by Emma Fielding and Simon Paisley Day. 

The extract of Mariah Gale is from the Royal Shakespeare Company's filmed version of Hamlet, 2009, directed by Greg Doran and broadcast on the BBC

For more information on the podcast and how you can help theatres and actors during the COVID crisis: http://www.fleetingyearfilms.com/podcast.html#, or email Andrew@fleetingyearfilms.com

Episode 11: Bad Weather Between Humans

What can psychoanalysis tell us about Hamlet’s great speech? And what does it mean for our own divided, self-sabotaging personalities? Why do we often ask ourselves unanswerable questions? And are there any consolations which the search can bring us? With Dr Jamieson Webster, Professor Peter Brooks and Professor Richard Jacobs. The speech readings are by Emma Fielding and Simon Paisley Day.

For more information on the podcast and how you can help theatres and actors during the COVID lockdown crisis: http://www.fleetingyearfilms.com/podcast.html#, or email Andrew@fleetingyearfilms.com

Episode 10: The Strange History of a Radical Speech (Part 2)

In this episode, we look at the distinguished history of women playing Hamlet on the professional stage, a tradition which goes back almost 300 years. We hear how, as readers and theatre-goers, women helped make Shakespeare a lasting success - and find Hamlet's famous soliloquy becoming an inspiration and slogan in the fight for the vote for women. With Sophie Duncan, Nicole Cooper, Tony Howard, Michael Dobson and Alison Neil. 

The speech readings are by Emma Fielding and Simon Paisley Day. For more information on the podcast and how you can help theatres and actors during the COVID lockdown crisis: http://www.fleetingyearfilms.com/podcast.html#

Episode 9: A Thousand Natural Shocks

In this episode, we visit the EGO Performance Company, actors with physical disabilities or learning difficulties, who perform and rehearse on Zoom during lockdown. The company has turned to Hamlet's famous soliloquy to explore issues in their own lives and in society; with insights ranging from the powerful and moving to the high-spirited and comical.

You can find out more about EGO here: http://www.egoperformance.co.uk/

And they have a donation page here: https://localgiving.org/charity/egoperformance/

For more information on the podcast and how you can help theatres and actors during the COVID lockdown crisis: http://www.fleetingyearfilms.com/podcast.html#, or email Andrew@fleetingyearfilms.com

Episode 8: Taking Up Arms

Such is the uncanny power of "To Be Or Not To Be", it's been used by politicians and leaders for their own political purposes, from the current Chinese leader to Adolf Hitler; and as this episode reveals, it's also been a rallying cry for activists and protesters down the decades. We take a whistle-stop tour of the world, finding out how Hamlet's soliloquy is regularly used to evade censorship and speak truth to power. With Basharat Peer, investigative journalist, author and writer of Haider; Professor Margaret Litvin, and Professor Mark Burnett. 

The speech readings are by Emma Fielding and Simon Paisley Day.

Haider (2014) was produced by VB Pictures, directed by Vishal Bhardwaj, and is showing on Netflix: https://www.netflix.com/title/70303432

For more information on the podcast and how you can help theatres and actors during the COVID lockdown crisis: http://www.fleetingyearfilms.com/podcast.html#, or email Andrew@fleetingyearfilms.com

Episode 7: What We May Be

In this episode, psychoanalyst Jamieson Webster and philosopher Simon Critchley try to unlock the mysteries of Hamlet's tortured consciousness, highlighting the psychological strangeness and neurotic violence of the leading character, and locating Ophelia as the true hero of the play. Speaking candidly and personally, the couple reveal the heavy toll which investigating Hamlet and Ophelia had on their own marriage. The beautiful readings of Ophelia are by Emma Pallant, and the TBNTB speech is by Emma Fielding and Simon Paisley Day.

For more information on the podcast and how you can help theatres and actors during the COVID lockdown crisis: http://www.fleetingyearfilms.com/podcast.html#

Episode 6: The Strange History of a Radical Speech (Part 1)

In this episode, we uncover the radical roots of Hamlet’s soliloquy by tracing how it sounded in the mouths of the famous actors who played the role. For four centuries, Shakespeare has been fought over - is he for the elite or for everyone? It's a battle which has seen ordinary people sent to jail just for performing Shakespeare - and it's a cultural conflict which continues today. This is the first part of a series looking at the revolutionary history of "To be or not to be". With Ben and David Crystal, Sarah Dustagheer, Sonia Massai, David Roberts, Peter Holland, Leslie Ritchie, Jed Wentz and Paul Willenbrock. Readings by Kris Dyer, Emma Fielding, Simon Paisley Day

The Pepys musical version: Paul Willenbrock, bass; Marco Horvat, baroque guitar; sound, Hamish Hossain; montage, Rebecca Young. Paul Willenbrock's website : sing-op-english.com

For more information on the podcast and how you can help theatres and actors during the COVID lockdown crisis: http://www.fleetingyearfilms.com/podcast.html#

Episode 5: The Verse Doctors

In this episode, we speak to the “verse doctors”, experts on the hidden rhythms of Hamlet's famous soliloquy, who uncover how Shakespeare laid a trail of subtle clues to direct today’s actors, four centuries after his death. With Giles Taylor, Philip Bird, Sarah Case, Giles Block, Joseph Millson and Tess Dignan. The speech readings are by Emma Fielding and Simon Paisley Day. This is an amended version of an episode previously uploaded. For more information on the podcast and how you can help theatres and actors during the COVID lockdown crisis: http://www.fleetingyearfilms.com/podcast.html#